Risultati

• Balla Giacomo

187 Risultati nelle opere (voce «autore opera» esclusa)

Balla Giacomo, 87. A drawing in pencil on paper, 5 3/4 x 9 inches. (1912). Collection Balla, Rome. this study indicates the dynamic successive movements of a woman walking in various directions. (In Balla´s time, women still wore long dresses).

Balla Giacomo, 108-111. Studies of automobile wheels in movement taken from one of Balla´s small pocket notebooks. Pencil on paper, 3x5 inches. Collection Balla, Rome. The wheel turning gradually faster and faster forms a whirling vortex

Balla Giacomo, 127-128. Two studies of a propeller in motion. Tempera on paper, each 9 3/4 x 8 inches. (c. 1913). Collection Balla, Rome

Balla Giacomo, 130. A drawing of Balla´s ballet Dance of the Propeller reproduced from the newspaper L´Impero, 1927. Pencil on paper, 12x16 1/2 inches. Collection Balla, Rome. the dancers, holding propellers in both hands, are seen on a vertical stage set. They seem to be flying in the sky represented by two curved lines as is often seen in Balla´s paintings (see Figs. 2, 3 and 4). The caption under the reproduction reads: "A Painting in Movement by G. Balla".

Balla Giacomo, 161. Another drawing for the same sculpture which later became the letter-head for Futurism used by Tomaso Marinetti, the Futurist poet

Balla Giacomo, 173. Balla designed the forniture, murals and dècor for the Bal-Tik-Tak, the first modern nightclub in Rome. This is a sketch for the Futurist electric street sign (20 feet long) designed by Balla for the Bal-Tik-Tak. It was forcefully removed the first night by the Rome Fire Department because it was considered to be too glaring

Balla Giacomo, 175. One of Balla´s ceiling decorations for the Bal-Tik-Tak

Balla Giacomo, 176. The musicians´ balcony at the Bal-Tik-Tak designed by Balla

Balla Giacomo, 177-78. Balla designed and executed five murals of dancers using five different steps: Ecarté, Pas des Deux, Danse du Feu, Duo, and Serpentina. Designs for two of the murals for the Bal-Tik-Tak, Ecarté and Duo (1920), are shown here. Fig. 177 is blue ink on paper, 20 5/8 x 17 3/4 inches. Fig. 178 is blue and red ink on paper, 25 1/4 x 16 1/2 inches

Balla Giacomo, 182. A poster Balla designed in 1918, using Boccioni´s Fist as a theme, for his one-man exhibition at the Casa d´Arte Bragaglia.

Balla Giacomo, 188. Paper studies for Futurist sculptures. These constructions are three-dimensional multipleplane conceptions made of flat cut-outs niched together and polychromed. Some of these asymmetrical shapes were inspired by actual flowers and as sculpture, they were meant to represent flowers. Others are more utilitarian in design, such as the table supported by the cut-out figure of a man (center). In the right background is a construction of the number 2

Balla Giacomo, 189. This small floral form, measuring approximately 13 inches high and 9 inches wide, was one of the original series (1918-1930) of painted wooden sculptures constructed of flat units inserted into each other, easily mantled and dismantled. The basic units were of relatively simple shapes, and thus could be easily manufactured in quality as Balla´s intention was that Futurist sculpture would be readily avaiable to the public. The emphatic stylized forms used in some of the flowers are similar to the dynamic "lines of force" in this paintings

Balla Giacomo, 190. Another flower from the small series of polychromed wood constructions (1918-1930) measuring approximately 13 inches high

Balla Giacomo, 196-99. Four tapestries (1925). Diluted oil colors painted on tapestry cloth, each 47 1/4 x 47 1/4 inches. Collection Balla, Rome. In each of the four tapestries, a different species of parrot is depicted; their squawking noises are represented by the irregular zigzag forms around the borders. These noise forms are also to be found coiling around the parrots, and issuing from their beaks. A monkey, rendered in dynamic Futurist, while a serpent provokes the parrots´ chatter in the tapestry from life in the Roman zoo which eas within walking distance of his studio

Balla Giacomo, 202. Design for a large Futurist cabinet (c. 1920). Watercolor on paper, 11 1/2 x 8 inches. Collection Balla, Rome. It was to be painted yellow, white and dark blue with a pinkish-violet border. Made of interlocking planes, it could be easly mounted and dismounted

Balla Giacomo, 203. A decorative screen (c. 1916-1920). oil on wood, painted on both sides in bright colors

Balla Giacomo, 204. Original design for the Children´s Room. (1914). Pencil and blue and green watercolor on paper, 17 1/2 x 22 3/8 inches. Collection Balla, Rome. Note that the motif for the forniture is based on varius positions of childrens bodies; the heads and feet are most abvious

Balla Giacomo, 204 a. Sketch for a crib in the Children´s Room (1914). Pencil and ink on paper, 8 5/8 x 11 3/8 inches. Collection Balla, Rome

Balla Giacomo, 206. Design for a Futurist dress creating the effect of projecting cubes (1925). watercolor on paper, 7 x 5 inches. Collection Balla, Rome. The background is turquoise, and the cubes are beige and brown putlined in pink

Balla Giacomo, 207. Design for an outfit for the mountains (c. 1925). Watercolor on paper, 7 x 5 inches. Collection Balla, Rome. The main colors are blue, lavander and white

Balla Giacomo, 208. Design for a Futurist swimming suit (c. 1925). Watercolor on paper, 7 x 5 inches. Collection Balla, Rome. the background is ultramarine blue with a motif of red Futurist fish.

Balla Giacomo, 209. A black and white silk scarf with automobiles as motiv, painted on "fisciu" silk by Luce Balla. the design is Balla´s

Balla Giacomo, 214. Balla´s own Futurist vest, designed by him and embroidered by his daughter Luce (1920). the colors are two tones of violet, blue, dark blue, and wine red

Balla Giacomo, 211. Futurist shoes designed by Balla about 1914. Black on white paper, 4 3/4 x 9 1/2 inches

Balla Giacomo, 217. Design for a hat rack (c. 1918). Watercolor on paper, 11 1/2 x 17 3/4 inches. The colors are white, yellow, light and dark blue. The upper and lower portions opened for storage space

Balla Giacomo, 219. A mobile in shades of blue (c 1925-30) based on Balla´s study of flowers. 14 1/2 inches in diameter

Balla Giacomo, 229. Balla´s own Futurist walking sticks and umbrella stand which he made himself

Balla Giacomo, 230. A boat-shaped jewel stand designed by Balla for a cousin who loved the sea. The entire wooden object is covered with his painted seascape impressions which are barely visible in the photograph

Balla Giacomo, 243. Balla´s handmade hammer and plane

Balla Giacomo, 244. A paint box built by Balla

Balla Giacomo, "complesso plastico" colored of lines + forces (1914)

Balla Giacomo, "Complesso Plastico" colored of Noise + Dance + Happiness (1914)

Balla Giacomo, A Futurist Interior

Balla Giacomo, A study for Girl Running on a Balcony (1912)

Balla Giacomo, Abstract Speed (1913)

Balla Giacomo, Abstract Speed (1913)

Balla Giacomo, Abstract Speed (1913)

Balla Giacomo, Abstract Speed - Wake of Speeding Automobile (1913)

Balla Giacomo, Abstract Speed+Noise (1913)

Balla Giacomo, Airplanes (1915)

Balla Giacomo, Bankrupt (1962)

Balla Giacomo, Boccioni´s Fist

Balla Giacomo, Boccioni´s Fist - Lines of Force (1915)

Balla Giacomo, Brushes

Balla Giacomo, Brushes

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente (1912)

Balla Giacomo, Compenetrazione iridescente n. 5 (Eucalyptus) (1914)

Balla Giacomo, Compenetrazioni iridescenti n. 3 (1912)

Balla Giacomo, Complesso plastico colorato + velocità

Balla Giacomo, Complesso plastico colorato di frastuono + danza + allegoria

Balla Giacomo, Complesso plastico colorato di frastuono + velocità (1914)

Balla Giacomo, Complesso plastico colorato di linee – forze (1914)

Balla Giacomo, Complesso plastico colorato di linee-forze

Balla Giacomo, Detail of the Parco dei daini (1910)

Balla Giacomo, Diptych of Villa Borghese (1905)

Balla Giacomo, Disegno per il vestito nero (1912)

Balla Giacomo, Disegno per il vestito nero (1912)

Balla Giacomo, Disegno preparatorio con varianti « Rumoristica plastica Baltrr »

Balla Giacomo, Drawing for Bankrupt (1902)

Balla Giacomo, Drowing of Balla

Balla Giacomo, Dynamism of a Dog on Leash (1912)

Balla Giacomo, Electric work light

Balla Giacomo, Elisa sulla porta (1904)

Balla Giacomo, Entrance to Palazzo Doria-Pamphili (1908)

Balla Giacomo, Environmental drawing for a Speeding Automobile (1912)

Balla Giacomo, Expansion of Perfume

Balla Giacomo, Fallimento (1902)

Balla Giacomo, Fiat (1909)

Balla Giacomo, Fiori futuristi

Balla Giacomo, Flags on the Altar of the Country (1915)

Balla Giacomo, Flight of Swifts (1913)

Balla Giacomo, Flight of Swifts (1913)

Balla Giacomo, Futurist Blackbirds (1920)

Balla Giacomo, Futurist coat-hangars

Balla Giacomo, Futurist Flower (1920)

Balla Giacomo, Girl Looking at the Sea (1908)

Balla Giacomo, Girl Running on a Balcony (1912)

Balla Giacomo, Il pertichino (1898)

Balla Giacomo, Inaugurazione (1918)

Balla Giacomo, Iridescent Interpenetration (Detail)

Balla Giacomo, Iridescent Interpenetration No. 3. (1912)

Balla Giacomo, iridescent Interpenetration No. 5. Eucalyptus (1914)

Balla Giacomo, iridescent Interpenetration No. 9. (1912)

Balla Giacomo, La guerra (1914)

Balla Giacomo, La settimana romana

Balla Giacomo, Line of Speed (1913)

Balla Giacomo, Line of speed + Vortex (1913)

Balla Giacomo, Line of speed + Vortex (1913)

Balla Giacomo, Linee di velocità (1914)

Balla Giacomo, Mall sticks

Balla Giacomo, Manifesto di una mostra a Roma da Angeelli (1915)

Balla Giacomo, Mercurio che passa davanti al sole (1914)

Balla Giacomo, Mercury Passing before the Sun as seen through a Telescope (1914)

Balla Giacomo, Noise Forms (1913)

Balla Giacomo, Noise Forms (1914)

Balla Giacomo, Noise Forms (1914)

Balla Giacomo, Noise Forms of a Motorcycle (1916)

Balla Giacomo, Pagina della prima versione del manifesto « Il vestito futurista» (1913)

Balla Giacomo, Parco dei Daini (1910)

Balla Giacomo, Parco dei Daini (1910)

Balla Giacomo, Pas des Deux (1922)

Balla Giacomo, Patriotic Hymn (1915)

Balla Giacomo, Pessimism and Optimism (1923)

Balla Giacomo, Portrait of Elisa (1902)

Balla Giacomo, Portrait of Ernesto nathan (1910)

Balla Giacomo, portrait of Luce (1910)

Balla Giacomo, Portrait of the Artist´s Mother (1901)

Balla Giacomo, Progetti esecutivi per le singole forme geometriche sulla scena

Balla Giacomo, Progetti esecutivi per le singole forme geometriche sulla scena

Balla Giacomo, Progetti esecutivi per le singole forme geometriche sulla scena

Balla Giacomo, Progetti esecutivi per le singole forme geometriche sulla scena

Balla Giacomo, Progetti esecutivi per le singole forme geometriche sulla scena

Balla Giacomo, Progetti per la decorazione di casa Lòwenstein a Dusseldorf (1912)

Balla Giacomo, Progetti per la decorazione di casa Lòwenstein a Dusseldorf (1912)

Balla Giacomo, Programmazione delle luci per «Feux d´artifìce»

Balla Giacomo, Rhythm of the Violinist (1912)

Balla Giacomo, Ritratto di Tolstoi (1919)

Balla Giacomo, Rumoristica plastica Baltrr

Balla Giacomo, Scena luminosa per «Feux d´artifìce» (1917)

Balla Giacomo, Scena luminosa per «Feux d´artifìce» di Strawinski (particolare) (1917)

Balla Giacomo, Scherzo (inedito) per la scena

Balla Giacomo, Scherzo per la scena

Balla Giacomo, Scherzo per la scena

Balla Giacomo, Self-Portrait (1902)

Balla Giacomo, Shouting Forms - Long Live Italy (1915)

Balla Giacomo, Sintesi teatrale «Macchina tipografica»: coreografia (1914)

Balla Giacomo, Sintesi teatrale «Macchina tipografica»: costume di un personaggio (1914)

Balla Giacomo, Sintesi teatrale «Macchina tipografica»: il testo onomatopeico (1914)

Balla Giacomo, Sintesi teatrale «Macchina tipografica»: la scena (1914)

Balla Giacomo, Sketch of Room

Balla Giacomo, Speeding Automobile (1912)

Balla Giacomo, Strange Man´s chair (1930)

Balla Giacomo, Studies for Iridescent Interpenetrations

Balla Giacomo, Studies for Iridescent Interpenetrations (1912)

Balla Giacomo, Studies for Iridescent Interpenetrations (1912)

Balla Giacomo, Studies for Ryhthm of the Violinist (1912)

Balla Giacomo, Studies for The Street Light (1909)

Balla Giacomo, Studies for The Worker´s Day (1904)

Balla Giacomo, Studies of automobilies

Balla Giacomo, Studio dal vero per «Fallimento» (1902)

Balla Giacomo, Studio di cavalli in movimento (1911)

Balla Giacomo, Studio di taccuino per «Movimento di gambe» e per «Compenetrazione» (1912)

Balla Giacomo, Studio esecutivo per la scultura «Linea di velocità + vortice» (1913)

Balla Giacomo, Studio per il manifesto della mostra «Secessione» (1913)

Balla Giacomo, Studio per «Compenetrazione iridescente» e per «Bambina che cammina» (1912)

Balla Giacomo, Study for Blue Orbits (1913)

Balla Giacomo, Study for Girl Running on a Balcony (1912)

Balla Giacomo, Study for Materiality of Lights + Speed (1913)

Balla Giacomo, Study for Noise Forms of a Motorcycle (1916)

Balla Giacomo, Study for Noise Forms of a Motorcycle (1916)

Balla Giacomo, Study for Swifts

Balla Giacomo, Study for Swifts (1913)

Balla Giacomo, Study for the décor of the Lowenstein House, Dusseldorf (1912)

Balla Giacomo, Study for the set of the Stravinsky - Diaghilev ballet Fireworks (1916)

Balla Giacomo, Study of the Density of Atmosphere

Balla Giacomo, Summer (1925)

Balla Giacomo, Swifts: Paths of Movement + Dynamic sequences (1913)

Balla Giacomo, Tabletop easels

Balla Giacomo, Tennis + Landscape (1920)

Balla Giacomo, Testo della sintesi teatrale «Sconcertazione di stati d´animo» (1916)

Balla Giacomo, The 20th of September Demonstration (1915)

Balla Giacomo, The Arrows of Life (1928)

Balla Giacomo, The Car for Everyone

Balla Giacomo, The Marchesa Casati with Greyhound and Parrot (1915)

Balla Giacomo, The path

Balla Giacomo, The Spell is Broken (1924)

Balla Giacomo, The Street Light-Study of Light (1909)

Balla Giacomo, The Worker´s Day (1904)

Balla Giacomo, Transformation of Forms into Spirits (1920)

Balla Giacomo, Un esempio di «parole in libertà » (1915)

Balla Giacomo, Un esempio di «parole in libertà » (1915)

Balla Giacomo, Un mio istante (4)

Balla Giacomo, Villa Borghese - Summer landscape (1926)

Balla Giacomo, Villa Medici (1908)

Balla Giacomo, Villa Medici (1908)

Balla Giacomo, Vortex

Balla Giacomo, Vortex (1914)

Balla Giacomo, Vortex + Spatial Forces of a Glass (1911)

Balla Giacomo, «Complesso plastico colorato di fastuono + danza + allegri)» (1915)

Balla Giacomo, «Complesso plastico colorato di frastuono + velocità (cartone e stagnole colorate» (1915)

Balla Giacomo, «Complesso plastico colorato di linee-forze» (1915)

Balla Giacomo, «La marchesa Casati con gli occhi di mica e il cuore di legno,» (1914)